Showing posts with label Toronto International Film Festival. Show all posts
Showing posts with label Toronto International Film Festival. Show all posts

Monday, 20 September 2010

The Quest for the Remarkable - "Great Balls of Fire," Seth Godin and the TIFF

Sometme ago my eTourism colleague and fellow soccer fan, William Bakker, a remarkable eTourism professional himself, wrote a blog post on his blog Wilhelmus about the "Great Balls of Fire." No, not the great hit song written by Otis Blackwell and Jack Hammer and made famous by Jerry Lee Lewis. William was writing about cheese balls, yes cheese balls. But not just any kind of cheese balls. He was writing about Oregon's restaurant Salvador Molly's spicy habanero cheese balls. Apparently, these cheese balls are so good, so remarkable, that William and his friends drove 5 hours from Vancouver to eat this marvel of hot cuisine. The point of his post was to ask the question:

"What’s the remarkable thing your business or destination has that’s worth driving 5 hours for?"

A corollary to the post is that not all remarkable things (or people) are remarkable to everyone. You might love Eminem and think he's a remarkable artist, while I may disagree and say that Michael Bublé is truly remarkable (I happen to like both artists, but you get the point). The main thing is to achieve critical mass. In the fragmented world we live in where there are countless substitutes for every product and service out there, the key thing is to create something that is remarkable to enough people that it makes it viable at worst and enormously successful at best.

The famous marketing blogger Seth Godin wrote a now famous blog post about "How to be Remarkable." I won't quote the entire post here. You can read it by clicking on the title. And while I don't necessarily agree with all of Seth's statements he makes very good points, especially his mentioning that it is not what's remarkable to you, but what's remarkable to me (ie your customers, fans or guests) and that what's remarkable today may not necessarily be remarkable tomorrow (e.g. iPhone).

The Toronto International Film Festival is one attraction, if we can call it that, that keeps getting more remarkable every year (Caribana might be another example). Of course, that must have something to do with the remarkable films the festival manages to show every year. The star power that the festival attracts does not hurt either. This year, on its the 35th anniversary, the festival celebrated by opening its own building, the Bell Lightbox. The new headquarters of TIFF has brand new cinemas with state of the art technology. Bell Lightbox will not only be the festival's headquarters, but also run many of TIFF's programs all year long, including film related exhibits, starting with a Tim Burton Art show. The Toronto International Film Festival started 35 years ago as the Festival of Festivals. It was started by a few friends who loved film. It was their initial passion and the response of Torontonians that made the festival what it is today. Remarkable.

One of the problems with many tourism destinations and businesses is that they're not remarkable at all. For those that were once remarkable the problem is how to recapture their former glory. And the tourism boards cannot create the remarkable attractions or businesses. Tourism boards are marketing organizations. Their job is to promote the destinations, which very few do in remarkable ways. To grow tourism, industry stakeholders must reach out beyond their silos and foster a culture of excellence inside and outside the industry. Our roads must be remarkable, our public transportation systems must be remarkable, our taxi drivers must be remarkable (good luck with that one), our customs officers at point of entry should be remarkably friendly (one can only dream), etc. In a fiercely competitive global tourism industry, the winners will be those who manage to be remarkable.

Jaime

Monday, 13 September 2010

Toronto International Film Festival 2010

Films watched so far:

Bad Faith (Sweden) - interesting (not like Hollywood) suspense movie - an illogical script, but a different way of telling stories. Not everything in life makes sense.

Stone (US) - Robert DeNiro and Edward Norton - what else can I say. If you like the art of acting, watch this film for a lesson on how it's done (well, you won't know how it's done, but the actors are brilliant). Milla Jovovich is excellent as the female supporting actress

The Illussionist - Sylvain Chomet's follow up to "the Triplets fo Belleville"- a work of art in many levels. The film is a love letter to a bygone era. Ironically (or not) the film was made in 2D animation, the old fashion way. Every frame is a work of art by an animator. The story revolves around a vaudeville magician who sees his world disappearing (just as 2D animation has)...

"Passione" another love letter - this one to the city of Naples, its music and its people. Stunning photography in stunning locations and incredible music - "Passione" lives up to its name. Directed by actor John Turturro (who incidentally is Italian American, but not from Naples, but from Sicily).

TIFF is a remarkable festival in a remarkable city.

Jaime

Thursday, 17 September 2009

Sept 16, 2009 a conversational capital day for Toronto

I like the term "conversational capital." My friend Carmen Ciotola of Tourism Montreal first mentioned it to me when she introduced me to the book by Bertrand Cesvet (with Tony Babinski and Eric Alper. The book is called Conversational Capital, but with a subtitle that reads "How to Create Stuff people love to talk about." Thought the book clearly presents a framework to analyze something (or someone) from a conversational capital perspective, "create stuff people love to talk about" is easier said than done.
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Conversational Capital, according to the book refers to "a series of observations that can help generate and spread positive word-of-mouth." Examples in the book of brands/products/services that have generated enormous amounts of conversational capital are Cirque du Soleil, Apple, adidas, Red Bull, Schwartz's (smoked meat sandwich deli in Montreal). The book offers 8 attributes or engines of conversational capital, most of which must be present in your product, service, brand, artist or tourism attraction in order to create conversational capital. These engines are: Rituals, Initiation, Exclusive Product Offering, Over-delivery, Myths, Icons, Tribalism, Endorsement and Continuity. I won't go into detail about these engines here. Read the book in order to get the entire lesson. I am merely using Cesvet and friends' framework to talk about word-of-mouth (positive or negative) about a tourism destination and how difficult it is for destination tourism marketers to create word of mouth about their destinations, particularly cities.
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In my opinion, a city's tourism board per se cannot really create conversational capital for its destination (Let me interject here and mention that the book's website - ConversationalCapital.com - has a section on conversations where the book's readers can interact and debate about conversational capital - unfortunately every time I clicked on this section the browser freezes and I have to reboot it). A city's conversational capital (except perhaps for Las Vegas, Dubai, NYC and Paris) is created by what happens in the city. The city itself is nothing without its events, its people and its architecture (architecture is something that happens - e.g. the ROM's Crystal Gallery, Gehry's renovation of the AGO, the OCAD building). And this brings me to what happened yesterday, September 16, 2009 in Toronto.
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Three major events where happening at the same time last night in Toronto in and around the entertainment district. I drove into the downtown core to meet my wife because we had tickets to U2's 360 Tour concert at the Skydome (Rogers Centre for some, but for me it's always the Skydome). I heard on the radio what was going on downtown so I made a point to get downtown early. In addition to U2 performing, the Maple Leafs had their opening game at the ACC against the Boston Bruins and the Toronto International Film Festival had its ongoing shows and galas in the downtown core. Needless to say, the area was hopping. Front Street and side streets felt a little like New York City with people and cars everywhere. One could also feel the energy of hockey, music or film fans building with anticipation of their respective events. For tourism and tourism related businesses it was an outlier evening I'm sure. I saw line-ups at small coffee shops like Tim Horton, fast food places and restaurants along Front Street.
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These three events provide more visibility to Toronto than any ad campaign could (unless of course, Toronto places an ad during the Super Bowl). The challenge for Toronto tourism marketers is how to harness and encourage the conversation in order to increase the conversational capital. One Google search for "U2 Toronto 2009" comes back with 1.3 million hits and change. A Twitter search for "U2 Toronto" comes back with pages and pages of related tweets (you have to tolerate many spammers' tweets though - one problem Twitter is wrestling with). A Google news search for "U2 in Toronto" gave up about 62 results, many of major media outlets that covered the concert. Similarly if you search for "Maple Leafs" or "Bruins" you will get many hits. And the Toronto International Film Festival? Well I'll save you the time you could spend on searches about TIFF. TIFF is the single Canadian event (cultural or otherwise) that towers among any other in media coverage. Two years ago a study was mentioned in the Toronto Star revealed that TIFF is by far more covered by the media than Bay Street and it's light years ahead of any other Canadian event ( a Google search for "Toronto International Film Festival" results in over 26 million hits).
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When you look at the three events mentioned in terms of the engines converational capital all three have elements of all or most of the engines. A tourism marketer cannot create this. One of the tourism marketer's many obvjectives (but one at the top of my list) should be to look for those brands, events, personalities or businesses that create conversational capital about their destinations, support them and find ways to be a participant in the conversations and use them in the destination's marketing initiatives.
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Regards (by the way, Bertrand Cesvet will be the opening keynote speaker at next year's Canada-e-Connect conference in Montreal).
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Jaime Horwitz MBA

Monday, 27 April 2009

My 10 essential films of all time.

Bell Lightbox the new heart for the Toronto International Film Festival on track to open in 2010. The $129 building should be ready in time for the 2010 festival. While the Festival is perhaps the most important festival (cultural or otherwise) in Canada, it is not the only thing that the Toronto Film Festival Group does. TIFFG has a breadth of programming and activities that celebrate film including many educational initiatives throughout the year. I recently received an email from TIFFG (Noah Cowan, artistic director) asking me to participate in their Essentials of World Cinema Survey. This survey will be a "key component of our inaugural programming for Bell Lightbox." The survey asks for one's "Ten essential films of world cinema." The following is my list, in no particular order:

Battleship Potemkin (Eisenstein)

Lawrence of Arabia (Lean)

Modern Times (Chaplin)

La Dolce Vita (Fellini)

Citizen Kane (Welles)

The Godfather (Coppola)

Les Quatre cents coups (Truffaut)

Kagemusha (Kurosawa)

Napoleon (Abel Gance)

2001 a Space Odyssey (Kubrick)

Popcorn, anyone? Action!
Jaime Horwitz